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Pórtate bien, escandalosa: The Construction of Chicana
Identity in Literature from the 1960's to the Present
Rosa Berumen, San Diego State University
2006 University of California Berkeley, Summer Research Opportunity
Program
Laura E. Pérez, PhD.
Department of Ethnic Studies, University of California Berkeley
Abstract
This is a preliminary project in the investigation of Chicana
identity within literature from the 1960's to the present and
is meant to add to the present well-founded knowledge of this
subject. The essay focuses on five major pieces of literature
both from Chicano's of the early 1960's movement to Chicanas.
The five texts used were: "Yo Soy Joaquín," by
Rodolfo "Corky" Gonzales, "El Plan Espiritual De
Aztlán," Giving Up The Ghost by Cherríe Moraga,
The Mixquiahuala Letters by Ana Castillo, and lastly Loose Woman
by Sandra Cisneros. I begin with the use of "Yo Soy Joaquin,"
and "El Plan Espiritual De Aztlán," to show how
Chicanas in the beginning of the movement were omitted by their
sexist and homophobic male counterparts. I suggest that due to
the absence of Chicanas from the creative literature produced
in the early 1960's by Chicanos, women countered by creating a
multitude of groups, within the Chicano/a movement, in order to
explore their own individual identity with respect to sexuality
and gender. The importance of understanding the complex development
of Chicana identity is significant in connecting the present day
Chicana and the Chicano/a movement, which I would suggest is unraveling
at its core.
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